It starts promising, with a variation of a famous Satie piece, and it continues with rock, no, jazz, no, big band, no, funk, no, blues. Well, a little bit of all, in only 8 songs. The result is of course very diverse, but it didn't really spark with me. Part of the reason is the singer's voice, which I don't like much, and the strange genre mix in the songs, that didn't get to me mostly. "Smiling phases" was my favorite.
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